For a sub-£1,000 design, the ML provided a sublime transcription of both the brass and strings. The latter flowed without effort while the brass, especially when the sax and trombones hit lower frequencies during the later parts of the song, showed a wonderful resonance that reverberated with a reedy character.
Midrange insight was superb too. Early in this song, on the right channel, was a piano. Really though this guy sounded like he was playing in another room and you could only make out he was there at all because the studio door was open and the sound was travelling down the corridor. Subtle, that’s what it was. Yet the ML picked up this effect and did so with a mite more character and detail than many more expensive moving coils I’ve heard of late.
This ability of the ML to lower noise, reach deep into the mix and extract subtle effects naturally without having to force the detail out by pinching the upper frequencies, for example, was one of the major talents of its basic design.
Hana has a growing reputation for quality of design. No matter what price point it decides to tackle, it tends to provide a value for money product because it tends to give you more than the competition at that particular point. For the ML that meant a sense of clarity and insight that allowed detail to be picked out from the subtle recesses of the mix. A trick often reserved for rarified high-end designs. That’s the quality of the Hana ML.
Read the full review here.